#CADA LOCO CON SU TEMA FULL#

'Ground Zero' is a fantastic outing into Majestic Metal with the flawless guitar technique of Lindholm leading the way, of course backed by the pedigree of the band members. There is simply not a weak track on the CD and the huge leap forward in sound since the debut is unquestionable. The inclusion of Oliver Hartmann and Mark Boals in the vocal duties is a clever one and gives the band a more interesting slant their input puts the cherry on top of the cake. Keyboards play a vital role in the overall sound and there are plenty of 'cat and mouse' keyboards throughout, and when in harmony, form a grand wall of sound. His early years admiring and emulating the works of Malmsteen and Vai shine through but he does have a technique of his own that finds its way through. The guitar technique of Stefan Lindholm is as crisp and neat as ever, and he seems to effortlessly produce exciting riffs and melodies with nonchalance. Goran Edman sings his heart out on seven of the eleven tracks and his powerful pipes suit the band in a way that just can only be described as awesome. Musically the band is everything you would expect and more from Sweden. Zoltan Csorsz has since taken the stool and his fantastic drumming can be heard on 'Ground Zero' Bass player Nalle Pahlsson (Zan-Clan, Treat) joined the already impressive line-up and through Goran they got in touch with drummer Mikael Wikman, who played on the debut (ESM164). However, Johan and Tommy decided to move on but Stefan managed to contact respected singer Goran Edman (Yngwie Malmsteen / Karma, etc) and, as he liked the songs, he put his heart and soul into making them fantastic. The result was the 2005 demo and it met with some great reviews in Sweden rock magazine. They recorded a demo with Tommy Karevik (Seventh Wonder) and guitarist Johan Larsson (Johan and Tommy Band). At an early stage Stefan contacted keyboard maestro Pontus Larsson and they started to work on some of the songs Stefan had laid down. The Basis of Vindictiv started in early 2004 and is the brainchild of Stefan Lindholm. Lyrics By: GiВ¶ran Edman, Oliver Hartmann & Mark Boals You will find yourself playing this record over and over, hipping your friends to it and generally wishing everyone else with samplers had as much imagination as Forrest.Oliver Hartmann - Vocals (Reach Out, I'm Back Home, The Sacrifice)ДЄlex Argento - Keyboard / Leif Karlsson - Percussion / Ann WallstriВ¶m-Baroque violin / Katarina Widell-Flute, Recorders / Patrik Karlsson - Baroque guitar / Jonna Inge-Viola / Caroline Valdemarsson - Violin It is a bracing and satisfying way to bring Shamelessly Exciting, an album that truly lives up to its billing, to a close. 'Evil Doesn't Exist Anymore' closes the album on a dramatic, epic-length note with guest vocals by Maja Solveig Kjelstrup Ratkje, who unleashes Bj rk-on-Red Bull voices over a thumping, clattering beat and a melody that sounds like the funeral march of a Eastern European dictator. 'Nightclothes and Headphones' is a tribute to the late John Peel that gives the album some soul and depth and captures the feeling of being enraptured by the radio perfectly. Me privan ms los barrios que el centro de la ciudad. De las voces de la calle ms que del diccionario. y baja las escaleras como quiere pero puestos a escoger. The whole record is filled with these head-shaking moments of wonder, as on 'New Wave Folk Austerity' (which somehow manages to sample both Yes and Blondie and make it work), the thundering 'War Photographer' (which features chopped up Blood, Sweat & Tears samples), the foundation-shaking, slide-guitar workout 'Storming Blues Rock' and the surprisingly gentle and sweet electro-pop ballad with lyrics penned and sung by one-time fellow WFMU DJ (and alt-country goddess) Laura Cantrell. Cada loco con su tema contra gustos no hay disputa artefactos, bestias, hombres y mujeres cada uno es como es, cada quien es cada cual. Forrest is less apt to sample AOR references he's gone the soft-rock route this time digging into Gary Wright, Gerry Rafferty (with a cool mashed-up 'Baker Street' sample on 'Skyrocket Saturday' ) and Seals & Crofts, among others. Or check 'Dreaming and Remembering,' a track that manages to melt '70s soft rock, disco and hardcore techno into a glittering treasure. Check the ease with which he turns his 36 favorite punk songs into 'My 36 Favorite Punk Songs,' the little riff fragments and occasional shouts blending into a storming electro-punk track. As with Unrelenting, it is a blast throughout to play 'find the sample' and marvel at the skill and dexterity Forrest uses to fit them together. In fact, it is a perfect follow-up record, giving plenty of what you loved about the previous record but tweaking it enough to keep things exciting and fresh.

#CADA LOCO CON SU TEMA FULL#

Jason Forrest's brilliant The Unrelenting Songs of the 1979 Post Disco Crash announced Forrest to the electronic masses as the new king of sample-tronica, and while it can't replicate the shock to the system that Unrelenting provided, his follow-up, Shamelessly Exciting, is just as impressive a record and just as full of dazzling technical and musical achievements.